For the last 8 years, Daniel Lopatin’s work as Oneohtrix Point Never has mirrored the way we feel about our digital lives – with all of the requisite passion, excitement, anxiety, disgust, and grotesquerie. And while OPN’s earliest works may have been content in idle detournements, with Lopatin flipping through the tasteless detritus of ’90s corporate culture like an Adderall-addled CEO tearing through their rolodex in search of new business, Garden Of Delete explores the Internet as an archetypal realm, connected to the physical world, but just barely. Lopatin hangs these cerebral concepts on Ezra, a fictional teenager with a super sweet music blog, intent on creating the most epic trance chords ever, to create a loose, if bizarre, narrative. Garden Of Delete was created in the wake of Oneohtrix Point Never opening for ’90s big room rockers Soundgarden and Nine Inch Nails. Lopatin wanted to recreate the vibe of angsty aggressive ’90s guitar rock. It says a lot about what a twisted genius Lopatin is that Garden Of Delete is what he came up …