All posts tagged: Album Review

Album Cover Dalhous

When Are We Not Who We Are? Dalhous – “The Composite Moods Vol. 1: House Number 44”

Much has been made, of late, as to the malleable, fluid nature of identity. Daily, we discuss the ramifications of systemic bias; of The Other and our reluctance towards, or embracing of, another point of view. The boundaries of “the self” are not concrete – we are not walled off like some isolationist state. We are open, porous, to all manner of environmental stimuli. We are what we eat, so to speak. So what effect does the environment have on us? What influence, other people? And what happens when that influence goes sour? The Composite Moods Vol. 1: House Number 44 is an exploration of interacting psyches, from London’s Dalhous, on the ever exquisite Blackest Ever Black. The Composite Moods volume 1 posits some hypothetical house, House Number 44, occupied by two random personalities on the hinterlands of society. One of the roommates views themselves as perfectly fine and healthy – a sane, well-adjusted human being. The other is seemingly a mess, “detached, isolated, often feeling helpless and unable to influence the world around them; …

Sia: Sunlight Through Deadened Skies —MUSIC

Today’s pop star – no matter what genre they’re working in – exists in a strange, contradictory limbo of expectations. In a world rife with Celebrity Instagrams, Twitter feeds, Facebook pages, blogs, vlogs, and Tumblrs, fans have come to expect a 24-hour voyeuristic glimpse into a star’s lives. High profile celebrity antics, broadcast across the world thanks to Social Media, and endless beefs seem to keep these big names permanently trending, and the cycle continues. The message seems to be that a certain amount of authenticity is expected of our pop stars. Those that step out of line, or toy with ideas of persona ala Lady Gaga or Lana Del Rey, can bring down a fiery rain of outrage and derision. Oddly enough, female musicians seem to suffer from this more than anybody. While somebody like The Weeknd can be almost applauded for “playing a character”, in a way pioneered and popularized by David Bowie in the ’70s, people seem to expect every single song written by a woman to be 100% autobiographical, that she …

Christmas Gets Weird And Messy With Cassie Ramone’s ‘Christmas In Reno’

Coming of age in 2015 is a weird and complicated thing. I avoid the phrase “becoming an adult”, as no one’s really sure where adulthood begins, or ends. For most people in their 20s, 30s, and probably 40s, “adulthood” is exactly the same as adolescence, full of libidinal angst, existential confusion, social insecurity, and a weird mixture of egotism and self-loathing. This is never more apparent than during the Christmas season. For many/most 20- and 30-somethings fortunate enough to be living in the First World, Christmas-time finds most people doing whatever is the modern version of circling your wishlist in the Sears Catalog in Crayola Marker. We’re overgrown children, with outsized pocketbooks and desires. But adulthood will not be deterred, even if we don’t know what it is. Obligations begin to sneak in, as we begin to have extended families, friends, office parties. Our friends start having kids, and, oh so gradually, it stops being about OUR wish list, as the torch is passed to the next generation (lucky, ungrateful ducklings!). Cassie Ramone, formerly of …