All posts filed under: VIDEO


Album Review: “Semper Femina”, Laura Marling

On Semper Femina, Laura Marling explores the lives of the exceptional women in her orbit as protagonists of their own stories, separate from the Male Gaze. It is tempting – perhaps even unavoidable – to decipher works of art based on title tracks. After all, why would the artist name their work after a single line or lyric? It must be meaningful – it’s the musical equivalent of when an actor will break the 4th wall, look straight into the camera, and say the name of a film. It drops like a hammer-blow, when we pick up on it. On Semper Femina’s second-to-last and standout track “Nouel”, British folksinger Laura Marling sings, “Semper Femina, so am I,” paraphrasing a line from a Virgil poem, translating roughly to “always a woman”. For her sixth LP, Marling initially sought to explore the lives of exceptional women from the vantage point of a man, but had to abandon the quest. She simply couldn’t get out of herself, and didn’t think it would be wise to do so. Instead, …

Brian Eno - The Ship - Album Cover Art

A vessel lost at sea, Brian Eno – “The Ship” (Warp Records)

Brian Eno‘s The Ship is like a libretti for Snowpiercer, or J. G. Ballard/Ben Wheatley’s High Rise – imagining society as a vessel lost at sea, forever drifting through endless, featureless landscapes. Trying to conceptualize or visualize society is a tricky business, especially in these uncertain mercurial times. Society changes in a nanosecond, never resting, always refreshing. With so many pieces and moving parts, it can seem like an impossibility to comment on even one tiny aspect of the world we’re living in, let alone the entire monolithic machine. Brian Eno likely needs no introduction for fans of atmospheric, imaginative electronic music, as the modern progenitor of Ambient music, via his ambient series in the ’70s. Eno’s always been concerned with removing the human from the scene, in an effort to truly free music from egotism and repetition, to create something truly futuristic. Eno’s ambient works are particularly adept at evoking landscapes/settings, like the austere, minimalism of an airport in Ambient 1: Music For Airports or a vast, menacing alien planet, on Apollo: Atmospheres And …


Beats From The Crossroads: Andy Stott – Too Many Voices (Modern Love)

Enigmatic Mancunian producer Andy Stott‘s output, these past few years, have been an exquisite portrait of what’s been going on in the post-dubstep electronic world. Dubstep’s ferocious bassweight is tempered with intricate, precise grime beats; weightless, ethereal, dreamy synthpop – all polished and poised, seemingly, by the human hand. This particular phase of Stott’s career started with 2011’s essential twin releases, We Stay Together and Passed Me By, when Modern Love label head Shlom Sviri suggested to Stott that he start incorporating found sounds, field recordings, and real world textures into his hardware-infatuated Detroit Techno emulations. Stott’s previously pristine Techno became slavered in hiss and static, seemingly emerging from some nightmarish late night radio program, tuned between stations. Stott further abandoned the cleanroom confines of the digital with the following two LPs, 2012’s Luxury Problems and 2014’s Faith In Strangers, which incorporated vocals from Alison Skidmore, Stott’s teenage piano teacher. Together, the pair dished out a kind of slo-mo post-industrial New Wave, somewhere between the graceful pop deconstructions of Arthur Russell, the existentialism of the …



    Bloodboy is the artistic identity of LA based singer­-songwriter, Lexie Papilion. Her first single, “Human Female,” produced by Justin L. Raisen (Charli XCX, Sky Ferreira, Ariel Pink) expounds on her mission to create accessible, melodic pop music with a sonic and lyrical edge. The single dwells around two mantras on the musician’s life and music. Question what is expected. Walk the ledge of possibility. “So many people feel restricted for so many reasons,” Lexie concludes. “I’ve thrown those restrictions to the wind to say, ‘I don’t know if this is going to sound exactly the way I want it to, but I’m going to let everything peek through and see what happens.” Listen to the track at Spotify or watch the video below by Millicent Hailes Bloodboy – Human Female (uncensored) from Bloodboy  

album cover Tim Hecker Love Streams

Digital Cathedrals: Tim Hecker – Love Streams (4AD)

Historically, towns and city centers were organized around a sacred building, all roads leading to some chapel, church, or cathedral, which were the orbit around which Medieval life orbited. These buildings were designed to evoke a sense of awe & rapture – vaulted ceilings and flying buttresses, as sacred choirs filled the monolithic space with their cries to God. Love Streams, the excellent new LP from influential ambient composer Tim Hecker, begins with the simple, but convoluted, question: “What might liturgical music sound like, in the Modern Age?” Or, as he cheekily phrased it during the promo cycle “liturgical aesthetics after Yeezus” or “the transcendental voice in the age of auto-tune.” The human voice is at the center piece of Love Streams, with Oscar-nominated soundtrack composer Johann Johannsson composing chorales in Latin for an Icelandic choir. Not content to approximate some modern Renaissance forgery, Johannsson reversed the Latin script, before giving it to the Icelandic Choir Ensemble, which were further re-arranged and edited in post-production. These vocal compositions were then fleshed out with flutes, woodwinds, …

Thug Entrancer - Arcology

The Sound Of Celestial (& Earthly) Harmony: Thug Entrancer – “Arcology”

Since the very beginning, electronic music has always been exploring alien worlds, conjuring images of whirling discs, horseshoe nebulae, and strange, alien races. Whether this is due to electronic music’s arsenal of non-acoustic sound generators – synths and drum machines – which can produce pure, mathematical tones not possible in the natural world; or because of early sci-fi’s adoption of said signal generators to soundtrack their far out fever dreams, is difficult to say for certain. But whether it’s the soundtracks for SF classics like Fantastic Planet or the original Dr. Who score from the BBC Radiophonic Workshop, the shifting patterns of the “Berlin School [of electronic music]” of Tangerine Dream, or the amorphous ambiance of beat-less Aphex Twin, electronic music is particularly adept at portraying new worlds, as well as our own, at times. Electronic music took a brief detour into the mainstream, starting in the ’70s, with the dawn of rave/EDM/disco, which was all well and good, not to mention inevitable, given the laser-precision of electronic music’s tonal sculpting. It might have been inevitable, …


The Moto, Justin Gossman for Sav Noir AW 2016 (Exclusive)

When it was first unleashed on an unsuspecting suburban populace in the 1950’s, rock ‘n’ roll was perceived as a threat. A menace to society, comparable to the Red Scare that threatened the “American way of life” with its loose hips and morals. Considering the furor, tumult, and outcry, it’s kind of disappoint r ‘n’ r  has become the most bland of lifestyle accessories – a facsimile of rebellion, but still in bed by 11. Los Angeles-based fashion label Sav Noir is doing its bit to turn that around. Influenced by the untamed life well after the sun has set. They’re making dark, chic clothes for “the matured, rebellious souls of our era. The ones whom fear nothing, or no one,” as they put it. Sav Noir AW’16 “The Moto” film tells the painful story of chasing a rock’n’roll dream following model Justin Gossman as a young rock ‘n’ roller, through his dreams of fame, fortune, and excess, through to the painful, vacuous existence of a struggling artist. Watch Gossmann go from sleek, stylish nightlife to the …

Panda Bear – Crosswords (Music Video)

“Crosswords” is the 2nd EP by artist, Noah Benjamin Lennox, Panda Bear, also known from his performances with Animal Collective. Lennox’s solo work plays around the genres of net-psychedelic pop and experimental pop. Lyrics: Ain’t fate, just me Come a cropper for the weak stuff that you stew Ain’t fate, just me A cripple on his feet again you say Stay there while I move Stay scared while I improve But it don’t mean I’ll do it like you want me to But it do mean I’ll do it like you need me to But it don’t mean I’ll do it like you want me to So good, so good You got it so good So good, so good Damn it, so good So good, it’s so good, so good Get it day to day Day after day So good Day to day Day after day So good

Kerry James Marshall, Art History Counter-Archive

The work of Kerry James Marshall is centered on African American life, culture and history. His body of work explores new frontiers in racial politics, socio-economical issues and the artists’ own feelings & views about social responsibility. Marshall was born in Birmingham, Alabama in 1955 and later relocated to South Central, Los Angeles near the Black Panthers headquarters. Marshall grew-up in a country in which there were not many black artists to reference and “black studies” were in their early stages. Through his work, the artist has committed himself to compensating for the absence and invisibility of black culture. The artist attempts to reconcile African American culture with images of western ideals in his paintings by highlighting black identity within their historical context and the current socio political situation. Video courtesy of Museo Reina Sofia, Painting and Other Stuff, 2014 For Marshall there is an evident gap in the [Western] art history archive. We can define his whole body of work as a counter-archive, reading between the lines of mainstream culture during the past decades …


Pillar Point – Dove (Music Video)

Dove is a dance music video about desire and betrayal shot throughout the streets and markets of Bogotá, Colombia. The story begins as our hero realizes her lover has left – and stolen her prize bird. We took Pillar Point’s seductive soundtrack as inspiration and worked with the sensational Vogue artist Kia Labeija to bring the story to life. —Jacob Krupnick “Dove” appears on Pillar Point’s full-length album, Marble Mouth. Available at Dancers: Kia Labeija (as Dove) Taina Larot (as Bird Thief) A Wild Combination Production Director, Producer, Editor: Jacob Krupnick ( AD + Line Producer: Victoria Rivera Cinematographer: Soren Nielsen Additional Operator: Luke Taylor AC: Carlos Torres Colorist: Stormcrow Stylist & Wardrobe Design: E’KW=L Hair: Daniel Obed Taveras Title Design: Jen Mussari Special Thanks: Josefina Santos, Beto Cañon, Robespierre Rodriguez, Juan Sebastian Rivera